



Taikoukyo, which means “a dwelling with a mossy scent,” is the name given to the Yamaguchi family home by a tea master ancestor.
The plaque above the home’s entrance was written by Uemura Shoko [(1902–2001), a painter of the nihonga Japanese style of painting]. The house was used as a residence until 2001, but after the previous head of the family moved to another building after retirement, it became possible to open up the designated areas of the house to the public. Juniper haircap and several other varieties of moss grow in the garden, and its trees and flowers offer enjoyment in every season. Spring brings cherry blossoms and fresh new greenery while in May the mosses brighten and rhododendrons bloom vividly. In autumn, the garden comes alive with the red berries of senryo and manryo shrubs and the vivid greens, yellows and reds of the maples. In late autumn, the ground is carpeted with fallen maple leaves.
The Yamaguchi Family
The Yamaguchi family moved to Kyoto from Kaga (today Ishikawa prefecture) in 1593 and served as headmen in the village of Shimo-Yamada during the Edo period (1603–1868). The family has a 400-year history, and the current head is the 20th generation. In earlier times, the family administered the finances of local lords. When Japan’s capital was moved from Kyoto to Tokyo in 1868, the family took over managing the land from the nobles they had served and became locally prominent. At the time, the land under the family’s management stretched from the Katsura River to the east to the mountains to the west, and from Matsuo in the south to the San’in Kaido road to the north.
The Yamaguchi Residence
Main nagaya-style gate. Area: 63 square meters, thatched roof.
Thatched with reeds from nearby Lake Biwa in the late Edo period.
The structure includes an overhang protecting an area used for farm work, for storage and as accommodation for servants.
Today, it is a display area for farm tools and folk implements donated by neighboring farms when they stopped farming.
Main House
Area: 153 square meters.
Initially an L-shaped dwelling, it was rebuilt between 1849 and 1875. The structure, roofed with a combination of flat and curved tiles, has a low second story.
Built in machiya townhouse style, with rooms connected to each other longitudinally off an earthen-floored doma corridor. The basket hanging in the doma was used by 17th family head Yamaguchi Sadamitsu when calling on lords working at the imperial court.
Reception Room
Erected as the residence of the Harada family in Kameoka in the 1920s. Built in a contemporary Japanese style with a traditional hip and gable combination roof. Moved to its current location in 1953. Inner partitions are changed every year in June to reed lattices and a woven bamboo floor covering [to cope with the summer heat] and back again in September. The ten-tatami mat room’s ceiling consists of whole slabs of Satsuma cedar. The cloisonne nail head covers copy the Eight Views of Mount Fuji of Manshuin Temple . The room’s railings are carved from different species of wood, and the main pillar of the four-and-a-half tatami mat room is magnolia wood.
The main gate and the two structures were registered as a tangible cultural property with the Agency for Cultural Affairs on November 18, 1999.
TeahouseThe teahouse is a copy of the Shoando teahouse at Saihoji temple.
Generations of the Yamaguchi family have lived harmoniously with nature in the hills of western Kyoto. Between the 1860s and the 1920s, the family Generations of the Yamaguchi family have lived harmoniously with nature in the hills of western Kyoto. Between the 1860s and the 1920s, the family worked the fine bamboo the region was known for. In spring they sold tender bamboo shoots and in early summer picked and processed the tea they grew. They also harvested ume Japanese apricots, and in the fall picked matsutake mushrooms, persimmons and citron for their own use, enjoying the bounty of the seasons.
Throughout the main house and the reception room, shoji partitions were changed according to the seasons. The numerous kimono and artifacts the family owned offer a glimpse of life in earlier times.
Like the great merchant families of central Kyoto, farming families in the region then called the village of Matsuo observed customs and traditions that remain today.
The Yamaguchi family, living in the western foothills of Kyoto, were local village headmen for generations. The main gate was erected in the late Edo period. The main house, built in a combination machiya and farmhouse style of the same period, served as the family’s residence for decades.
The complex was registered as a tangible cultural property in 1999, and I became 20th head of the family after my father’s death. As I was single, my thoughts at the time centered on how I could adapt my way of life so that the house would retain a spark of life, so I decided to live as my forebears had 100 years ago.
In Kyoto, there is a saying that homes should be built to make life easy in summer. Its machiya townhouses, employing ingenious methods to evoke cooling sensations, reflect this philosophy. These include adaptations to catch breezes, cooling visual and sound effects, uchimizu water sprinkling [to promote evaporation] and other customs. I ready my home for summer too. Before the rainy season, I change the inner partitions to reed lattices [to let air flow freely] and turn off the air-conditioning. Even on the hottest days, the house is wide open, and thanks to its deep eaves and the greenery around the house, an electric fan is all that’s needed to keep me comfortable. The cooling breezes that flow through the house evoke the gentleness of nature that I am grateful for. At night, I sleep with the windows wide open, a mosquito coil lit to ward off the pesky insects, and a mosquito net over my futon.
ust like in the previous times, there is no furniture in the room. In any case, there were fewer material goods then, and people made good use of nature and felt no need for all the gadgets that many today feel they cannot live without. I use only a minimum of dishware, and each room has a cupboard or closet for storage, so the rooms are free of clutter. As for what people ate, judging from the kitchen tools left behind, their diet consisted of dried, salted or fermented foods, accompanied by rice. Many of those tools were for processing and preserving rice, vegetables and legumes. I can obtain many foods nearby: bamboo shoots in spring, ume Japanese apricots during the rainy season, vegetables from the kitchen garden in summer, persimmons in autumn, and citron in winter. Many of those foods, which people grew for themselves, are considered luxuries now. A well provided water, which even today springs plentiful. The water stays at 14 degrees centigrade year-round; in winter, it feels positively warm. All the water I use, for cooking, bathing and laundry, comes from the well.
The old-fashioned cooking stove in the kitchen is still usable. I collect logs from small trees, boil water I have drawn from the well to make miso soup, and cook rice, all on that cooking stove. The ordinary meals of yesterday are something few people experience now, and I occasionally host groups gathered to eat the meals we prepare together on that stove. In winter, it’s bitterly cold, and the cold air that comes in through the cracks makes impossible to heat the whole house. If I close off one room to heat (or cool in summer), air doesn’t circulate well and temperature and humidity fluctuate. That’s not good for the house, as it can damage fittings, encourage mold and cause the whole structure to warp and decay. Luckily there’s no condensation on the windows. To keep warm in winter, I bundle up, move around or warm my toes or fingertips, but the cold is something one just has to get used to. At night, I warm my futon before going to sleep, but when I wake up in the morning, I’m sure that the indoor temperature is the same as outdoors. I rarely come down with a cold, though, so this simple lifestyle may be helping.
The house is hot in summer and cold in winter, there are insects everywhere, and I have to fix the roof every time there’s a leak. Living in this house is almost like living outdoors throughout the year, but I enjoy “chatting” with the house. Living like people did 100 years ago means forgoing modern conveniences and going along with what nature dictates. That helps me feel its blessings all the more keenly, and I enjoy living life in a more human way; something that has been forgotten in recent times.
The best way to preserve a cultural asset is to actually use the building for its intended purpose and to communicate the activities that take place there. In 2019, I partnered with achicochi Ltd. , a company that provides cultural experiences for visitors to Japan, to disseminate information in English about our activities. We provide share houses for rent to digital nomads who visit Japan for workations, and residents can use Taikoukyo as a co-working space.
Foreign visitors who wish to stay in Kyoto for a month or more come here to experience daily life, not simply short-term travel.
With the assistance of the Council to Promote the Appeal of Folk Houses, in 2024 we began providing information about the Yamaguchi Residence in Chinese (simplified and traditional), Korean, and French, in addition to English.
You can visit Taikoukyo on public open days. For information, please contact the Association for Utilizing Taikoukyo.
25 Yamada Uenocho, Nishikyo-ku, Kyoto 615-8274
10 min. on foot west from Kami-Katsura Station on the Hankyu Arashiyama Line.
7 min. by taxi from Katsura Station on the Hankyu Kyoto Line.